Standing with the Nasty Women

I freely admit that I am a sucker for a good collection of essays. These books are usually both a charm and a challenge, and I regularly find myself vehemently disagreeing on page 10 and then enthusiastically punching the air with glee on page 60. The range of perspectives in some of these collections can be absolutely amazing, so I was delighted to get a slightly early peek of Nasty Women, produced by 404 Ink after a remarkably successful Kickstarter campaign.

The collection launches on March 8th to mark International Women’s Day. Rioters, every March 8th for the past five years I have been asked when International Men’s Day is. This year, I am hoping to avoid this brand of idiocy, but in case this happens to you, please note that International Men’s Day is on November 19th and that the ‘block’ button is your friend.

The premise of Nasty Women is pretty simple: life as a woman right now is bloody hard, and the normalisation of inequality is persistently marching forward. Some days, it feels as though many of the gains we have made for women are slowly being rolled back or freshly questioned. The book contains a series of essays expressing the perspectives of women- all types of women, from all walks of life- in the 21st century.

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Understanding the Real Ireland: Hardship and Change

Ireland has a sort of mythical status among creative types. The land of saints,  scholars and Guinness. Many depictions show Ireland as a home of parties and alcoholism, religious dogma and at time, Troubles. Ireland is both more and less than this mythical generalisation- but understanding the real Ireland takes more than a read of Ulysses.

2016 marks 100 years since the Easter Rising in Ireland. Revolutionaries, aggravated by years of imperialist rule, took up arms and led a struggle against the British forces in Ireland, beginning on Easter Monday 1916. It’s a story that often gets lost in the babble of world history, but some of Ireland’s best creative work covers that period. Sean O’Casey wrote , a play based in central Dublin in that week of 1916, and shows the experience of a family dragged into the rebellion and the devastation created in Dublin by rebels and British soldiers alike. The play is a microcosm of a history that gets lost and forgotten too often.

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